Turbulent Times Creative Minds
With the publication of the correspondence between C. G. Jung and Erich Neumann, the major contributions made by Neumann to depth psychology are coming back into focus and assuming new prominence in the field of analytical psychology and beyond. The articles in this volume offer reflections on the creative relationship between Jung and Neumann and possible extensions of their work for the future, signifying the beginning of a Neumann renaissance. Contributions by Henry Abramovitch, Riccardo Bernardini, Batya Brosh, Joseph Cambray, Thomas Fischer, Nancy Swift Furlotti, Christian Gaillard, Ulrich Hoerni, Andreas Jung, Tom Kelly, Thomas B. Kirsch, Nomi Kluger Nash, Tamar Kron, Debora Kutzinski, Rivka Lahav, Ann Lammers, Martin Liebscher, Ralli Loewenthal-Neumann, Angelica Löwe, Paul Mendes-Flohr, Julie Neumann, Micha Neumann, Gideon Ofrat, Rina Porat, Jörg Rasche, Erel Shalit, Murray Stein and Jacqueline Zeller.
This lively, intimate, sometimes disrespectful, but always knowledgeable history of the Bollingen Foundation confirms its pervasive influence on American intellectual life. Conceived by Paul and Mary Mellon as a means of publishing in English the collected works of C. G. Jung, the Foundation broadened to encompass scholarship and publication in a remarkable number of fields. Here are wonderful portraits of the central figures, including the Mellons, Jung himself, Heinrich Zimmer, Joseph Campbell, D. T. Suzuki, Natacha Rambova, Vladimir Nabokov, Gershom Scholem, Herbert Read, and Kurt and Helen Wolff. "Because we know so little about the role of foundations in American intellectual life, we welcome . . . William McGuire's delightful chronicle of the Bollingen Foundation. Mr. McGuire . . . writes as a participant, not as an outside historian. But he makes the most of his particular perspective. . . And he tempers his sympathetic attachment with a winning sense of irony, even irreverence."--Thomas Bender, The New York Times Book Review
The Human Zoo
This study concerns the city dweller. Morris finds remarkable similarities with captive zoo animals and looks closely at the aggressive, sexual and parental behaviour of the human species under the stresses and pressures of urban living.
The Myth of Matriarchal Prehistory
According to the myth of matriarchal prehistory, men and women lived together peacefully before recorded history. Society was centered around women, with their mysterious life-giving powers, and they were honored as incarnations and priestesses of the Great Goddess. Then a transformation occurred, and men thereafter dominated society. Given the universality of patriarchy in recorded history, this vision is understandably appealing for many women. But does it have any basis in fact? And as a myth, does it work for the good of women? Cynthia Eller traces the emergence of the feminist matriarchal myth, explicates its functions, and examines the evidence for and against a matriarchal prehistory. Finally, she explains why this vision of peaceful, woman-centered prehistory is something feminists should be wary of.
Presents an English translation of Jacques Lacan's most famous work, with translations of all the papers featured in the original French edition.
Here together in one volume is the strange and evocative 'Pompeiian Fancy' by German author Wilhelm Jensen and one of the major texts of psychoanalysis in Freud's oeuvre, discussing the role of delusion and dream in Jensen's work. Freud's analysis is at the same time a brilliant literary interpretation of a symbolic work and a statement of the importance of literature on his own thinking and the world of scientific stduy.
The Psychoanalysis of Fire
"[Bachelard] is neither a self-confessed and tortured atheist like Satre, nor, like Chardin, a heretic combining a belief in God with a proficiency in modern science. But, within the French context, he is almost as important as they are because he has a pseudo-religious force, without taking a stand on religion. To define him as briefly as possible – he is a philosopher, with a professional training in the sciences, who devoted most of the second phase of his career to promoting that aspect of human nature which often seems most inimical to science: the poetic imagination ..." – J.G. Weightman,The New York Times Review of Books
In Deformed Discourse David Williams explores the concept of the monster in the Middle Ages, examining its philosophical and theological roots and analysing its symbolic function in medieval literature and art.