Shooting To Live
One of the most influential combat shooting books ever published, Shooting to Live is the product of Capt. W.E. Fairbairn's and Capt. E.A. Sykes' practical experience with the handgun from their many close-quarters gunfights while working for the Shanghai Municipal Police in the 1930s. This expanded edition contains a new foreword by British World War II combatives expert Phil Mathews, which sheds new light on the career of E.A. Sykes - the "forgotten hero" of the Fairbairn-Sykes duo - as well as previously unpublished photos. Hundreds of actual incidents provided the basis for this first true instruction manual on life-or-death shootouts with the pistol. In clear, concise terms, the book teaches the concepts, considerations and applications of combat pistolcraft. A foreword by Col. Rex Applegate explains how Fairbairn and Sykes introduced their groundbreaking methods into American military training circles at the height of World War II.
"Cold-water surfing, the most remote surf spots, spectacular photography, illustrations, and custom boards: Surf Odyssey documents the modern cult of surfing as its own subculture and way of life. There's much more to surfing than palm trees and beach boy clichés. People surf not only in Hawaii, but also in Norway, South Korea, and India. Surf Odyssey is a book about the world of surfing today and those that live in it. This community is made up of the surfers themselves as well as surf photographers and board builders who are also spreading its distinctive spirit into other creative fields. Comparable to the new outdoor movement, today's surfing is about an attitude toward life, a lust for adventure, and a love of nature that one can only find far away from established spots. Surf Odyssey presents this scene's places, people, stories, and brands. Its stunning photography is sure to inspire many further surfing exploits."
Wicked Sexy Liar
When three college besties meet three hot guys in Vegas, anything can—and does—happen. Book Four in the New York Times Wild Seasons series that began with Sweet Filthy Boy (the Romantic Times book of the year that Sylvia Day called “a sexy, sweet treasure of a story”), Dirty Rowdy Thing, and Dark Wild Night. For two people ambivalent about dating and love, they sure get naked around each other an awful lot . . . London Hughes is very content to surf daily, tend bar, hang out with her group of friends, and slowly orient herself in the years after college. Everything’s going great and according to the non-plan. But when a wave knocks her for a loop one morning, then Luke Sutter’s flirtatious smile knocks her for another that evening, she veers slightly off course…and into his path. Sure, he’s a total player, but the Why not—it’s only one night is a persistent voice in her ear. For his part, Luke’s been on hookup autopilot for so long that he rarely ever pauses to consider what he’s doing. But after an amazing time with London, he realizes that he hasn’t been moving on from a devastating heartbreak so much as he’s been drifting to wherever—and whomever—the current takes him. With London he wants more. Every relationship involves two people…plus their pasts. And as much as she enjoys her fling with Luke, when London learns about his past—more specifically, who’s in it—everything becomes the brand of complicated she strives to avoid. It’s up to Luke then to change some things in order to try and ensure he’s not something she’ll outright avoid as well.
**Winner of the 2016 Pulitzer Prize for Autobiography** *Included in President Obama’s 2016 Summer Reading List* A deeply rendered self-portrait of a lifelong surfer by the acclaimed New Yorker writer Barbarian Days is William Finnegan’s memoir of an obsession, a complex enchantment. Surfing only looks like a sport. To initiates, it is something else entirely: a beautiful addiction, a demanding course of study, a morally dangerous pastime, a way of life. Raised in California and Hawaii, Finnegan started surfing as a child. He has chased waves all over the world, wandering for years through the South Pacific, Australia, Asia, Africa. A bookish boy, and then an excessively adventurous young man, he went on to become a distinguished writer and war reporter. Barbarian Days takes us deep into unfamiliar worlds, some of them right under our noses—off the coasts of New York and San Francisco. It immerses the reader in the edgy camaraderie of close male friendships annealed in challenging waves. Finnegan shares stories of life in a whitesonly gang in a tough school in Honolulu even while his closest friend was a Hawaiian surfer. He shows us a world turned upside down for kids and adults alike by the social upheavals of the 1960s. He details the intricacies of famous waves and his own apprenticeships to them. Youthful folly—he drops LSD while riding huge Honolua Bay, on Maui—is served up with rueful humor. He and a buddy, their knapsacks crammed with reef charts, bushwhack through Polynesia. They discover, while camping on an uninhabited island in Fiji, one of the world’s greatest waves. As Finnegan’s travels take him ever farther afield, he becomes an improbable anthropologist: unpicking the picturesque simplicity of a Samoan fishing village, dissecting the sexual politics of Tongan interactions with Americans and Japanese, navigating the Indonesian black market while nearly succumbing to malaria. Throughout, he surfs, carrying readers with him on rides of harrowing, unprecedented lucidity. Barbarian Days is an old-school adventure story, an intellectual autobiography, a social history, a literary road movie, and an extraordinary exploration of the gradual mastering of an exacting, little understood art. Today, Finnegan’s surfing life is undiminished. Frantically juggling work and family, he chases his enchantment through Long Island ice storms and obscure corners of Madagascar.
Cold New World
New Yorker writer William Finnegan spent time with families in four communities across America and became an intimate observer of the lives he reveals in these beautifully rendered portraits: a fifteen-year-old drug dealer in blighted New Haven, Connecticut; a sleepy Texas town transformed by crack; Mexican American teenagers in Washington State, unable to relate to their immigrant parents and trying to find an identity in gangs; jobless young white supremacists in a downwardly mobile L.A. suburb. Important, powerful, and compassionate, Cold New World gives us an unforgettable look into a present that presages our future. A New York Times Notable Book of the Year A Los Angeles Times Best Nonfiction of 1998 selection One of the Voice Literary Supplement's Twenty-five Favorite Books of 1998 From the Trade Paperback edition.
Dateline Soweto documents the working lives of black South African reporters caught between the mistrust of militant blacks, police harrassment, and white editors who—fearing government disapproval—may not print the stories these reporters risk their lives to get. William Finnegan revisited several of these reporters during the May 1994 election and describes their post-apartheid working experience in a new preface and epilogue.
A Complicated War
Powerful, instructive, and full of humanity, this book challenges the current understanding of the war that has turned Mozambique--a naturally rich country--into the world's poorest nation. Before going to Mozambique, William Finnegan saw the war, like so many foreign observers, through a South African lens, viewing the conflict as apartheid's "forward defense." This lens was shattered by what he witnessed and what he heard from Mozambicans, especially those who had lived with the bandidos armado, the "armed bandits" otherwise known as the Renamo rebels. The shifting, wrenching, ground-level stories that people told combine to form an account of the war more local and nuanced, more complex, more African--than anything that has been politically convenient to describe. A Complicated War combines frontline reporting, personal narrative, political analysis, and comparative scholarship to present a picture of a Mozambique harrowed by profound local conflicts--ethnic, religious, political and personal. Finnegan writes that South Africa's domination and destabilization are basic elements of Mozambique's plight, but he offers a subtle description and analysis that will allow us to see the post-apartheid region from a new, more realistic, if less comfortable, point of view.
Superman on the Couch
Why are so many of the superhero myths tied up with loss, often violent, of parents or parental figures? What is the significance of the dual identity? What makes some superhuman figures "good" and others "evil"? Why are so many of the prime superheroes white and male? How has the superhero evolved over the course of the 20th and early 21st centuries? And how might the myths be changing? Why is it that the key superhero archetypes - Superman, Batman, Wonder Woman, Spider-Man, the X-Men - touch primal needs and experiences in everyone? Why has the superhero moved beyond the pages of comics into other media? All these topics, and more, are covered in this lively and original exploration of the reasons why the superhero - in comic books, films, and TV - is such a potent myth for our times and culture.>